Tyr Nichols Footage
Back in 1994, I toured his debut album From Dusk Till Dawn, recorded in California with Pete Townshend on drums. Upon arriving at my hotel, he was sitting drinking tea and wearing a slightly grubby western shirt with the sleeves pulled up low enough to expose his thick forearms from the short sleeve. He was having an inspiring conversation with me about the fact that the sun came up in the east every day, and we could all change our lives through it.
Within a few days, he decided to record a follow-up to From Dusk Till Dawn, which I would hear on MTV with Paul McCartney. Though it’s generally accepted that the first two albums from the legendary producer were excellent, the third is probably his best effort to date. They are songs of reflection and transition, of isolation and reconciliation. He has a sultry feel to them, and “Killer Mary,” “Chariots Of Cherbourg” and “The Wayward Wind” are just some of the great tunes. It’s truly inspired. I’d go as far as saying he should be featured on Prince And The City, if such a thing exists.
As a music-to-watch person myself, it’s been shocking over the past few months that nothing this week has seemed to impact me as profoundly as Nichols’ newest offering. And sure, it looks like it will most definitely be the next big thing. But I’m not sure what to think when it’s released on August 8th.
I have a feeling that something powerful will come out of it. Something that I never imagined would happen. Something worthy of study. Something that I’ve read a lot about, but never really caught wind of until now. Something that I’ll be proud to review.
Nichols may have waited for his own masterpiece, but so have we all.
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